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DJ Frank is a New York-based DJ and like any good DJ, he is on a constant quest to discover new sounds.

The difference is that he's not content with digging in old record stores and flea markets in the US, instead he travels to West Africa to find records, before they get destroyed.

This new documentary chronicles his journey.



Posted by Ed Cotton More here..

Posted by Ed Cotton Researchers at UCLA appear to have come up with an interesting cure to the problem iPod created by turning everyone a DJ.

It’s a become a common issue at parties, the musical taste of the host is not shared by the party goers, this leads to angst and ends up with guests connecting their own iPods to try and take musical control, chaos ensues and the party rapidly turns into a disaster.

UCLA’s Smart Party uses Wi-Fi to poll the tastes of the people attending the party and creates a play list based on those tastes.



It’s an example of a solution to the emerging challenge to encourage and facilitate crowd collaboration in appropriate situations.

The party example is good because there is no often no talent gap between the host and party attendees concerning music. The iPod hasn’t put expert DJs out of business, but in situations where they aren’t around, it has made everyone believe they are one.

Smart Party facilitates democracy, it allows everyone’s tastes to be considered, but it doesn’t take it to the next level and make the experience exponentially better by for example using algorithms to recreate a brilliant DJ set out of the music that comes from the crowd.

What if the system allowed you to select a “virtual” version of your favorite DJ to play the crowd’s music in his or her style?

Could this be how Zune beats iPod?

Companies are already tapping into the wisdom of their crowds of employees and consumers hoping for gems that challenge the experts.

However, it’s one thing to facilitate and collect all the input and its quite another to make that input great.

Collection alone is not enough, there needs to be another level added to the process.

This could happen if small teams cross-collaborate to make the initial ideas better, or if real experts are brought in and thrown into the crowd to extract and facilitate.

This challenge is the same for ad agencies, as they demand creative thinking from every employee, rather than just those with the word creative in their job title.

The old-fashioned brainstorming session might not be long for this world, real collaboration requires new processes, new skills and new tools and technology.



Posted by Ed Cotton There seem to be no limits to Radiohead's cultural impact; all the headlines for the name your own price album, the upcoming New Year's concert on Current TV and Johnny Greenwood getting critical aclaim for his soundtrack to the movie of the moment, PT Anderson's "There Will Be Blood".

In additon, to all this the band has recently undertaken an audit of its touring practices with the objective of reducing the band's carbon footprint.(the audit can be downloaded here)

Here's what they found.

• Fan travel and consumption made up 86% of the Theatre tour and 97% of the Amphitheatre tour.
  
• Of the band’s touring impact – Travel and energy use accounted for 60% (Theatre tour) and ~40% (Amphitheatre tour)
  
• International travel accounted for a further 34 – 40% of impacts.

Short of no-one coming to see us, we’d like to share with our fans some ways of reducing this – our early research suggests that how you come to our shows can significantly reduce the tour’s carbon output. To help achieve better results, we’re trying to play as many shows as possible in city centres because of their better transport links. From the Best Foot Forward report, the rough figures below give you an example of how much of a difference you can make.


It's a good example of the environment playing an important role as a cultural issue. Clearly, the band isn't going to stop touring, but they are looking at ways of reducing their impact. This makes sense if you are Radiohead or even a brand on the grocery shelves. There can be no harm in taking a look at working out your impact, the challenge is once you've measured it, to work out what you are going to do about it.

In 2008, environmental statements from brands are going to come under increasing scrutiny.

Many brands are hoping that consumer fatigue will give them the chance to do nothing, others will take the opposite view and focus on real actions as a way to demonstrate their sense of responsibility.

Measuring your carbon footprint is a good start.


Posted by Ed Cotton One of the most important trends to look for in 08 is the continuing battle between nationalization and globalization.

It will impact everything from politics to branding.

The power and importance of national tradition is nicely represented in a new film by the Icelandic band Sigur Ros.

Sigur Ros are one of the most interesting and enigmatic bands around; despite signing in their native Icelandic, they still manage to have garnered a massive worldwide following. Their music is a cacophony of pure emotion and atmospherics that renders the meaning of the lyrics un-important.

In 2006, after months on the road, the band decided to return to Iceland and tour the country appearing at surprise free concerts across the island.

It was a return to the brands roots and a thank you to the country that made them. The result of the tour can be seen in the documentary Heima.



The film is a stunning exploration of the band, its music and the country of Iceland as told through a series of incredible performances that take place in the most unlikely surroundings; the bottom of a fish oil tank in a deserted fish factory, outside a village church, inside a village hall, in the middle of a beautiful valley and somewhat more expected in front of 25,000 fans in Rekyivaik.

In a way, the film is a tribute to the strength, importance and resilience of local roots and tradition.

It shows the band collaborating will local musicians, brass bands and artists.

All the shows are wonderfully shot and edited in a way that seamlessly blends, band, crowd and country.  It gives you an understanding of what the band is made of and the atmosphere and surroundings that have played a role in shaping the bands’ unique soundprint. At the island concerts, instead of the expected crowds of hip Icelandic youth, those attending are multi-generational with equal numbers of starry-eyed grandparents and grandchildren.

Heima shows a Sigur Ros keen to resist the commercialism at all costs approach and remain firmly attached, committed and passionate about the island they come from.

Posted by Ed Cotton Record companies helped establish and grow bands, they help build them into brands big enough to do away with the middleman and connect directly to their audience.




Posted by Ed Cotton